00:00
Welcome to Kevin's English Room Podcast!
Good day.
Good day.
Good day, good day.
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Yeah.
That was smooth.
That was pretty smooth.
Yeah.
That was like one of the smoothest ones.
I don't know if it's number one, probably not.
But yeah, within like the top five, I feel like.
For sure.
So, well thank you for the information.
Oh yes, oh yes.
Oh yeah?
This is from Tapu Suda-san today.
Mm-hmm, Tapu Suda-san.
Thank you.
Hello Kevin-san, Yama-chan.
Hello.
Thank you for your fun podcast every day.
I'm Tapu Suda.
Thank you.
Today I'm going to introduce you to a movie I recommend.
The other day, I watched the movie "The Final Message"
which was released this fall,
which is about breaking up with the guy,
and reading it with Kevin, writing "Tokyo".
This time, I bought tickets through the website jp.net/kevin.jp
and was able to enter smoothly.
The title was very meaningful.
As expected, it was a mafia movie.
I'm sure there are some people who haven't seen it yet,
so I can't give you any spoilers,
but I'll only introduce the cast.
The main character is a Korean teenager,
Professor Kevin.
I'm a Korean now!
The stray cat,
the cheetah,
(friendship)
the mysterious man,
Professor Yama,
the stray cat,
the cat,
Professor Kake.
The last scene of the movie,
"The Rain and the Revenge",
which you can't see without tears, is...
"The Rain and the Revenge"?
What the fuck?
Maybe they were benching in the rain.
Oh, okay, yeah, yeah.
The two shots of Kevin holding a knife and the cheetah were the best.
I would be happy if you could tell us your impressions of the two of you.
We look forward to seeing you as an actor in the future.
Thank you!
The episode where I said that I'm going to move out of my old apartment,
I titled it the...
What was it?
"The Final Farewell".
The final something.
I titled it as a movie title.
03:01
And I was talking about the final... the final massage.
The final massage.
Oh, sorry.
"The Final Farewell" that was not a message.
That was "The Final Massage".
Massage, yeah, yeah, yeah.
Remember I gave the final massage to my Noron Echoes?
Yeah.
Yeah, yeah, yeah, that's what she's talking about.
I really miss them.
You don't find any?
I... zero.
Oh, really?
Zero.
I see rats.
You know, in the Hankagai.
In the nomikai... nomi... nomi... I don't know what...
Nomigai areas.
Yeah.
I see rats.
Okay, but not cats.
But not cats, man.
Rats!
Almost as big as a cat.
Oh, really?
Almost to the... almost big to the point where I might find it cute.
Oh!
They're huge, man.
They're fucking huge.
How big is that? Like this big?
They're like this big.
Oh, really?
Yes.
That's big.
That's big.
How big is this?
Like... can you... like a... if you were to... like a... hmm...
Bontan?
No?
Is that a thing?
No.
Yeah.
Uh, bo... uh...
This is the size of a...
Two apples.
Yeah.
There you go.
Yeah.
Two big-ass apples.
Yeah.
But that's a really big...
That's big.
A big rat.
Oh, really?
You know?
Um, yeah.
Do you... I mean... do rats... do rats can... talk?
Can they talk?
I mean, of course I know they don't talk, but can they like...
Communicate?
Yeah.
Yeah, they make squeaky noise, right?
Oh, not with me, right?
With the cat?
No, with the rats themselves, right?
Amongst the rats, yeah, they communicate.
Of course, but with you...
No, there is no like... I don't... I don't think you can. Maybe you can. I don't know. I don't think so.
So you can...
I don't know.
So you can like communicate with them and treat...
I'm not gonna do that with a rat, man.
Why?
It's a rat.
Okay.
Yeah.
Maybe this is a beautiful rat?
I mean, if it's beautiful, maybe I will, but like...
I don't know, I have this image of rats as like something filthy.
Of course.
I don't know.
Of course.
I just can't...
I don't know.
Yeah.
There's friction there.
Oh, that's... that's sad.
In the, um... this might... this topic might, you know, just... go off track a little bit.
But in a city, in the... in the Han-kagai where I see rats, there's also like this huzoku guy.
Okay.
I don't know, like Kabakura guy, I guess?
And what I'm really...
06:01
...hesitant about, or like what I'm really a little bit uncomfortable about, is that like when you're walking in the street and the... the catch...
...the onee-sans that stands in the street and tries to lure you in the store, right?
Them with their sexy outfits.
Yeah.
Like, it's really hard to walk like... like we... I can't look at them because that would be really awkward.
Yeah.
Don't you think so?
Like wouldn't it be awkward if you just like walk in the streets and those... and those ladies are standing there and just look at them, right?
That would be awkward, right?
That's for sure.
I know you'd agree with me on that one.
But like, where am I supposed to look, right?
Like it just feels awkward to just look straight when there's a person standing right there next to you.
Yeah, and say something to you.
And talking to you.
Yeah.
Right?
But I can never really look them in... like I can never really...
In Japanese, "sono me no yariba ni komaru?"
What do you think?
How do you... how do you... what do you do in these situations there?
I say like, "ah, domo."
That's weird, man.
I think that's weird.
No, because they talk to me, "konnichiwa" and you know, "nantoka, nantoka kantoka desuka?" and "ah, sou desu ne."
"Domo."
Sometimes.
Otherwise, I just see straight and just go straight.
Yeah, like I've never felt that.
Just maybe seeing the building, maybe?
One store had this like line of ladies.
Yeah.
Like four or five ladies lining up.
And it was like, it took me like what, ten seconds to pass through the street?
Yeah.
And it was so awkward.
I had no idea where to look.
Like I would... it was just... I have no idea.
Like I can't look at them.
I'd just be like... like a pervert. I'd just look like a pervert.
You know?
Just checking up on their fucking bodies.
That's not comfortable, right?
But like it just... I didn't know what to do in those situations.
That's my recent like, "Oh, hesitation."
I've been hesitant on it.
Oh, yeah.
Do you agree? Do you not resonate?
I understand that.
Yeah?
I understand that, but I feel less uncomfortable.
Oh, than me?
Than you, I guess.
Than you, I guess.
Okay.
Because I can see them and I can even talk to them.
Without any, you know, feeling of course.
Uh-huh. Uh-huh.
Wow. Okay.
Yeah.
All right.
But I... if it was... I've never lived in those cities, you know?
Uh-huh.
But if I have to go like after work, arrive to the station, you have to pass that way every day.
09:02
Uh-huh.
Oh, that's little difficult.
Yeah. I actually take a different route so that I don't face them.
Yeah.
Wow.
But you enjoy your new city, yeah?
I am enjoying my new city.
Yeah.
I recently went to like a really Chiyanowari area.
Okay.
You know how Tokyo has a lot of Chiyanowari areas, right?
Uh-huh.
And I went to like Kabukicho area or like Kisho area.
Okay. Is it Kisho?
Yeah. Kisho is like... yeah.
Oh, really?
A certain spot is kind of like...
Oh, okay.
Yeah.
And what I've been recently doing is I ride bicycles.
Okay.
And then look around the area.
Because with bicycles, like I'm faster.
Yeah.
They don't bother you.
They don't talk to you, right?
Yeah.
Like no... like, you know, when you walk in like Kabukicho,
like all those like like kuzoku like catches, they talk to you.
Yeah.
"Dou desu ka?"
Yeah.
But if you're in a bicycle, they don't talk to you at all.
Oh, really?
So like I like I stroll around the area.
Like, "Oh, my God, that's a... wow, those people!"
And still like not be bothered.
Yeah.
That's what I do sometimes.
Oh, cool.
Yeah.
That's fun to stroll around those areas sometimes and see the real...
Yeah.
The real...
...kazai.
Yeah.
Like if you go like at night, like 11 p.m., 12 or like 1, it's interesting.
Yeah.
Yeah.
All right.
Thanks for listening, guys.
Thank you.
Bye-bye.
Thanks for listening guys.
Thank you.
